Carousel

With its wife-beating antihero and early dramatic climax, it’s no mean feat to make ‘Carousel’ a satisfying experience. Opera North’s revival of Rodgers and Hammerstein’s most operatic musical is richly orchestrated and vibrant – even if it doesn’t capture all of its darker edges. An impressive set featuring a lightbulb-lit … Continue Reading Carousel

The Revenger’s Tragedy

The engineered cliffhanger that ends the first half of this fast-paced, blackly funny production isn’t followed by a ‘duff duff’, but it could be. This is Jacobean tragedy via ‘EastEnders’ – and it works. Thomas Middleton’s lurid, camp tale of a man’s elaborate revenge on the duke who murdered his … Continue Reading The Revenger’s Tragedy

The Great Gatsby Musical

F Scott Fitzgerald’s iconic novel about 1920s America continues its 2012 onslaught on the British stage with this musical adaptation. Don’t panic about people singing about hit-and-runs though; it’s handled more subtly than that. But perhaps inevitably, some of the book’s desolate beauty and power is missing. Linnie Reedman has … Continue Reading The Great Gatsby Musical

The Trojan War and Peace

The Scoop’s sunken amphitheatre is a natural fit for Phil Willmott’s ambitious adaptation of Aeschylus’s ‘Oresteia’ trilogy, the latest in Steam Industry Theatre’s annual series of free outdoor shows. The sequence kicks off with the child-friendly ‘The Trojan Horse’, which makes a song and dance of the siege of Troy … Continue Reading The Trojan War and Peace

Blue Remembered Hills

Interior (Natasha Tripney): A thicket of skeletal trees made from scaffolding poles painted a jarring shade of blue forms the backdrop to Anna Ledwich’s stage adaptation of Dennis Potter’s television play. The cast, playing seven year olds, clamber and scramble across these metal branches; they swing by their arms and drop … Continue Reading Blue Remembered Hills

The Dark Side of Love

Red balloons litter the floor like bloodied, deflated hearts; knives are thrust into stomachs again and again; a couple dance with need and disgust; and we watch like voyeurs. The party is over in this splintered vision of love, staged in the bowels of the Roundhouse as part of the … Continue Reading The Dark Side of Love

Chicken

Mike Batistick’s play about identity crisis among ‘the working poor’ has some sharp lines and could be interesting in the right hands. But this lacklustre production does it no favours. Hard-up Big Mac addict Wendell (Craig Kelly) is struggling to provide for his pregnant wife, Lina, while trying to rid … Continue Reading Chicken

The Comedy of Errors

This brilliantly funny production of Shakespeare’s comedy of separation anxiety and mistaken identity – set in modern times and part of the RSC’s ‘Shipwreck Trilogy’ – is a bright splash of colour flung across the Roundhouse stage with assuredness and a keen eye by director Amir Nizar Zuabi. Antipholus and … Continue Reading The Comedy of Errors

The Witness

The photo of a badly burned Kim Phuc running naked and screaming as napalm rains down on her destroyed village turned the American public against the Vietnam War and is still shocking now. In one frozen moment it captures the human cost of conflict in a way that no statistic … Continue Reading The Witness

Krapp’s Last Tape

Samuel Beckett’s one-man play hauntingly evokes how time and age makes us strange to ourselves. Aidan Stephenson’s one-off performance captured this achingly well, shading between slapstick and quiet tragedy. The Lectern’s small stage was the perfect setting for Beckett’s unflinching exploration of personal loss. Under the harsh light of an … Continue Reading Krapp’s Last Tape