Inadmissible Evidence

For many writers, the stage is where they put the inadmissible in their lives; twisting it, obscuring it, trying to make sense of it. Here, John Osborne closes the fractured family photo album of Look Back in Anger to present us with something that is less explicitly autobiographical but no less personal … Continue Reading Inadmissible Evidence

Luise Miller

It’s often said that the Devil has the best lines; and this is certainly the case in Michael Grandage’s staging of Friedrich Schiller’s early piece of political melodrama. However, in this swipe at the inequities of the eighteenth-century German aristocracy, man is the demon and God is a spoilt prince cosseted away in … Continue Reading Luise Miller