Category: Reviews
A Midsummer Night’s Dream
This conceptually muddled production of Shakespeare’s enduring comedy successfully realises Theseus’s smugly affluent court on the first-floor terrace of the plush Bermondsey Square Hotel, but fudges the crucial distinction between city and countryside. Problems start with director Jayne Dickinson’s choice of ’70s fashion for every character except the fairies (dressed … Continue Reading A Midsummer Night’s Dream
Alma Mater
Empty rooms and family photos are reminders of things past, good and bad, now silent and packed away. It’s this sense of loss that Fish & Game’s haunting second piece captures so beautifully, weaving technology into dark fairytale. Given an iPad and headphones, you’re placed, alone, before a closed door. … Continue Reading Alma Mater
Around the World in Eighty Days / The Mother
Steam Industry Free Theatre returns to open-air venue The Scoop with a double-bill themed ‘Dangerous Journeys’. Performing Brecht’s Marxist rallying-cry ‘The Mother’ in the shadow of the gleaming Ernst & Young building is satisfyingly cheeky. But family musical ‘Around the World in Eighty Days’ travels the distance between past and … Continue Reading Around the World in Eighty Days / The Mother
Loyalty
We feast on political memoirs, greedily devouring their tales of what went on behind closed doors while the flashbulbs of the press were pinging outside. When seasoned with events that have sparked public outrage, their appeal is irresistible. And recently there has been no greater touchstone for the people’s distrust … Continue Reading Loyalty
The Tempest
Principal Theatre Company’s winning run of outdoor summer Shakespeare continues with a spellbinding version of ‘The Tempest’. Paul Gladwin has skilfully navigated the play’s darker undercurrents to produce a child-friendly, laughter-filled show that stays on the right side of pantomime. Rupert Wickham is a stern but not unbending Prospero; raging … Continue Reading The Tempest
For Services Rendered
Melancholy pervades James Bounds’ heartfelt revival of Somerset Maugham’s tale of a wealthy family struggling to adapt in the aftermath of the Great War, which has left Sydney, the only son, blind. The diffuse yellow light that plays across the set, a country-house conservatory, evokes a summer’s day drawing to … Continue Reading For Services Rendered
Lullaby
It’s night time. The gaze of the man on the other side of the aisle from me keeps straying from his girlfriend, who’s lying beside him, to the pair of women cuddled up together in the next bed. Behind him, two gay men rearrange their pillows and pull up the … Continue Reading Lullaby
Break My Fall
Originally published by So So Gay Magazine The streets of London aren’t so much paved with gold in writer, producer and director Kanchi Wichmann’s first feature, Break My Fall, as they are with vomit, rubbish and the lovely-sounding ‘squat-juice’. Nevertheless, Wichmann has succeeded in making a film that shines, downplaying the indie-beat vibe … Continue Reading Break My Fall
Betrayal
For a play about adultery, Betrayal is pretty light on between-the-sheets action. There’s no cat-and-mouse seduction over dinner or heart-racing quickie among the office filing cabinets; not for Harold Pinter the titillation of playing away. He’s more interested in the vulnerability of infidelity, what’s at stake when you hinge your happiness on … Continue Reading Betrayal
Luise Miller
It’s often said that the Devil has the best lines; and this is certainly the case in Michael Grandage’s staging of Friedrich Schiller’s early piece of political melodrama. However, in this swipe at the inequities of the eighteenth-century German aristocracy, man is the demon and God is a spoilt prince cosseted away in … Continue Reading Luise Miller
Tom Jones
First published by Time Out Ross Ericson’s knockabout adaptation of bawdy eighteenth-century novel ‘Tom Jones’ is more ‘Carry on Clarissa’ than social or literary satire. But while it may not be the classiest show on the fringe it’s a lot of fun. In the spirit of Henry Fielding’s original, we … Continue Reading Tom Jones
The Four Stages of Cruelty
Adapting William Hogarth’s coruscating vision of a vice-filled London is an attractive proposition. Substitute crack for gin, and his depiction of broken families and corrupt politicians could be ripped from today’s headlines. But Adam Brace and Sebastian Armesto’s interpretation for the stage of ‘The Four Stages of Cruelty’ reveals that … Continue Reading The Four Stages of Cruelty
Lord of the Flies
Since its publication in 1954, Lord of the Flies has lost some of its shock value. At a time when our headlines are filled with stories about teenage gangs and knife-crime, its tale of British schoolchildren who descend into savagery comes across as prescient but unhappily commonplace. And in a post-9/11 world … Continue Reading Lord of the Flies
The Lady of Burma
Aung San Suu Kyi, guest director of this year’s Brighton Festival, has been such a potent absent-presence in the public imagination that it’s almost jarring at the start of The Lady of Burma to find her given voice. But thanks to the beautiful concision of Richard Shannon’s writing, Owen Lewis’s careful direction … Continue Reading The Lady of Burma
Midsummer
The lovers in A Midsummer Night’s Dream are surely among the most irritating characters in theatre. Self-important and humourless, they’re a cringe-worthy reminder that love’s young dream really isn’t all it’s cracked up to be. Midsummer, written and directed by David Greig with music by Gordon McIntyre, borrows a name, Helena, and the solstice … Continue Reading Midsummer
Kingdom of Earth
There’s an exquisite cruelty to Tennessee Williams’s work; a lacerating nostalgia for a seamy and corrupted South that pities no one. The rarely-performed Kingdom of Earth, which condenses this sneering despair into a claustrophobic three-hander, offers as little respite to the audience as the pile of earth on stage does to … Continue Reading Kingdom of Earth